The last few weeks of my summer had me heading into London on multiple occasions, two of which were to check out two of the most well known London art galleries. I was no stranger to The National Gallery which sits in Trafalgar Square, however I’m some what ashamed to say this was my first time to the Tate Modern.
On the outside, the Tate Modern looks rather glum and with the current building construction going on around it, it looks far from the snazzy art gallery that is inside. The first steps into the gallery are ones which take your breath away, the vast openness of the gallery is astonishing. The general quietness is somewhat unnerving but it’s safe and comfortable when you realise that everyone there is enjoying the work that you too are enjoying and allowing the art to speak for it’s self.
Level 2’s collection displays range from sculptures to paintings which are by surrealists “who prized the power of the unconscious and dreams.” (Tate Modern Map description of Level 2). Personal favourites were George Condo’s Mental States (2000) piece which is dark, edgy and somewhat haunting. Along with that I also found Jannis Kounellis’ Untitled (1979) to really stand out. The stuffed birds standing out against the simple charcoal lines that appeared as a backdrop somewhat intimidating.
Further into the collection displays of poetry and dream is a small room which has an absence of light. Walking into the enclosed space is somewhat daunting and feels like you are walking for quite some time before you are in the centre of the room. This piece is by Bill Viola and is called Tiny Deaths (1993). This video art tests the viewers perception through the use of visuals and sound. For some time there may be no video playing, however subtle noises can be heard which are sure to raise the hair on your arms. The video images themselves seem almost like holograms, the people in them looking as if they are right next to you rather than on the walls.
Another piece to get you thinking is Michael Baldwin’s The Bigger Picture piece. What appears to be a standard mirror, has much more of an impact once the description of the piece is read. This piece is much more an interactive piece than any of the others with the people in the gallery, the viewer and those wondering in the background, becoming the subject of the art.
Level 4 continues with collection displays, however these focus more on the structure and clarity of the art along with the energy and processes used. As a fashion and textile student, I was highly interested in the work produced by Nicholas Hlobo, in particular the piece entitled Ikhonkco (2010) which means a buckle from a belt. This piece includes paper manipulation and embroidery of ribbon which is stitched across the canvas to form a chain.
The National Gallery is a complete contrast to the Tate Modern. The work on display is more obvious; the paintings are more classical and contemporary to the time in which they were produced. Classic works from painters such as Van Gogh, Monet and Rousseau are just a few which adorn the walls of the gallery.
My personal favourites by Claude Monet are Grainstacks in the Sunlight, Morning Effect (1891) and Water Lilies (1916). Both pieces use a array of colour to enhance the light and it’s effects against the surface of objects. The unclear lines giving a softness and dream like state to the pieces.
Having done a lot of work based on Vincet Van Gogh in my art classes, it would have been absurd of me to pass by without taking notice of the work up close. The simpleness of the subjects painted are a strong contrast to the detail and lines used to show the colours and textures.
A less obvious favourite is Henri Rousseau’s Surprised! (1891) which I was very drawn to. Having most likely looked into the painting during my time at school, I became even more fascinated with the piece when I was able to see the sheer size of it and the crazy amount of detail which had been used to show the energy captured.
I’d find it difficult to choose a preference over the two galleries as both show completely different sides of the art world. Having such a strong love for the classics such as Gogh and Braque whilst also being open and interested in the obscurity of more modern art; I am left torn however I would without a doubt suggest checking both galleries out if you are ever in passing. Both the Tate and the National Gallery are free admission, some exhibitions do require paid admission, and are definitely an eye opener into the world of art for anyone interested.
Jade x